ओवेर्विएव दिस्कुस्सिओंस

from an email 12/5


Thank you much for your responses, the primary interest is the
viability of the obvious selection and natural use of a volcanic
region as a forge for both glass and light metals. I appologise for
the verbose and slow response.

These scrolls and engineering diagrams, of unknown age and origin,
explicitly reference a number of highly accurate mathematical and
physical qualities which are used to "tune" the symmetrical audio,
language, and engineering/architecture designs, including excessively
accurate measures of crystalline atomic resonance, etc...

The primary function that is solved, uses a system to determine the
temperature and pressure ranges where the (effectively speed of sound)
are matched harmonics within air, water, and sea water. It indicates
that the natural resonance vibration frequency of what appears similar
to "sacred geometry" of the human and other proportionate organic
bodies are matched, which is another obvious when you use a measuring
tape, and that the human audio generating and listening frequency
ranges are also within this range. It is matched to a weighted unit of
time that is based on the solar rotation and the 14-15hz normalized
frequency.

The various systems go on to describe (and tutor) drawing methods that
are now majoratively lost and were last fully implemented in the
old-persian arts, even though greek, etc all used some techniques and
components through to the modern era.

The drawing techniques are simple once understood, they are basic
deformations or derivative vectors, apparently based on a mechanical
measuring process, but used to represent complex (extremely complex)
3d shapes in sculpture in various materials.

The first obvious design looks like a very intricate diety character
which would be fundamental to both the buddhist and hindu, however it
is NOT the modern drowned-blue or multi armed characters. The most
distinct part is what appears to be the god's hand or foot extending
to touch the surface of a pool of water, intricate ornimentation
surrounding, and uses what likely became the "locus flower" symbol
used today. (the method uses complex spiral and arc translations in
3d, which when half-drawn and not refined, looks like said flower)

What is most striking, and i hope for your views and ideas, is that it
indicates the majority of materials are natural to a volcanic area, as
all of the required tones of glass, resonate frequencies of material,
etc are symetrical and harmonic when cast and prepared at a certain
altitude and pressure/temp ratio.

The logical would indicate a volcanic foundry used for this process.

However, when the artistic styling of the representations was lost
after the old persian era (around alexander great) and the older
sculptures across india (specifically [SIC: aseoph's][the flag of india sculpture] lion dedicated to
buddhist teacher) use the same standard forms however also lack the
finishing processes of visual representation, I become confused.

The specifications indicate that it is viable to tune wood and other
more common materials for these instruments, however the preference to
optimized and ideal volcanic processes which are pressure cast for
perfect resonance qualities and some specific iron and lighter metal
works that further the scientific standards is surprising in any era.

There is resemblance to tibettan "singing bowls" both of ceramics and
metal, but these systems handle the entire construction of temple
complexes and excessively accurate measurements using a single seed
mechanism.

I will appreciate your response and insight, the "rudra veena"
(instrument) was the first positive hit, the second, is the origins of
the fallic petting stone, the shiva-lingam which was, according to
these documents, originally the artist's spherical stool in a highly
optimized studio which handles the creation of these highly accurate
tools and 2d visual works.

Let's rule out "atlantis" for now, and assume it is a 1700s attempt to
model a consolidated (reversed) art technique based on a wide range of
history beyond what we have images from on the surface of the
stockpile.

I look forward to your response and suggestions