Identification of Ancient Musical Notation

We have been provided the first set of what may be thousands of highly scientific musical notation scrolls, these include both a script language as well as the musical which appears to be played on a LARGE Rudra-Veena in conjunction with the creation of 3d art presentations and engineering guides, uses a structured 4+3 (as 2,4,1) primary and secondary string arrangement, is broken in both base 60 and base 12 values, and uses a spherical dual and multi bulb arrangement in one design, but also has a second more optimized design that uses a bean-shaped bulb and multiple 3d string layouts. The notation is extremely scientific, but is designed for both the musical aspect as well as the derived application to engineering drawing for stonework or otherwise. There is indication that the bulbs in a layout similar to your veenas may have been made out of silica quartz similar to the resonator bowls used in central asia. There is a diagram, or at least the proportions to make such, that shows the complete arrangement from the musical instrument, its projection structure (as it is played in a closed chamber) to the forum, a set of toolings used to both play it as well as engage intricate calligraphic and script artwork/language, a 45 deg slanged panel that is larger than the farthest reaches of the artist, a set of reference guides and lighting sources (one set of which is the crystalline spheres of the rudra veena), and a human relative structure that serves as the seating, standing, and other posture position reference optimal for the artistic and musical purpose which is composed of a sphere which is in a guide structure similar to a shiva lingam well before the time of shiva.

The available information is extremely accurate and comprehensive, includes guide generation SCRIPT/MUSIC/STRUCTURE to create the reference projections needed for highly intricate sculpture, and appears to reference a religious sect dating back to well before the modern indian/budhist influences. There appears to be an attempt in the 1700s to follow these instructions, however they lacked a thorough comprehension of the design and were unable to implement it without an understanding of 3d perspective. (The individuals also appear to have been too small for the measured designs (and did not review the proportional guides) and were unable to comprehend the system which was based on a 180 (cm) tall human from eye to floor.)

I have begun construction of some of these structures while waiting for advanced imaging hardware to be transported to the location, and have drawn a number of the more distinct language/music systems in an effort to understand the basis of its intent so that appropriate computational simulations can be developed. The ideal materials appear to be a silica quartz furnace facility with volcanic ash and volcanite stone (crystal) which are both used in these structures. The ash from coal furnace appears to be the primary finished product artwork medium, bone and animal organ based writing utensils, a thick gloss ink from crushed volcan stone, the white silica quartz for both optical projection and tonal qualities, and a variety of ricepaper style paper/fiber panels which were created in conjunction with the glass flats.

There are a number of images of some of the hand-drawn recreations, I would appreciate any and all insight as to what and where this came from, and will continue to attempt to model the system indicated therein.

A good set of the characters are at

http://BigEye.us/scribe/

series C and G, c0002 and c0003 are decent representations of a right-left top-down sequence used, as well as g0005, g0006, g0007, g0008, and the result 2d representation of 3d is currently called "yeouch"

I will be transitioning this data to a more appropriate website, the images mentioned are:
http://bigeye.us/scribe/c0002-VertGuideH-TopRight-SQ2.jpg
http://bigeye.us/scribe/c0003-VertGuideH-BottomRight-SQ2.jpg
http://bigeye.us/scribe/g0005-LargeVert-2-withHeader.jpg
http://bigeye.us/scribe/g0006-LargeVert-3-IntricateAccents.jpg
http://bigeye.us/scribe/g0007-LargeVert-4-MeasuredGuide-1.jpg
http://bigeye.us/scribe/g0008-LargeVert-4-MeasuredGuide-2.jpg
http://bigeye.us/scribe/y0001-yeouch-3d-WireGuides.jpg

Please contact me as soon as possible with any hints or insight as to where this came from and what it represents, and please pass this message on to anyone/everyone who may have additional ideas.

Pelodic@Gmail.com

I am still waiting for imaging hardware to arrive where these items are, however there is additional recreations (following the guides included with the art primers) at http://BigEye.us/scribe/

of high interest is this set, this first image instructs the drawing of a 2d representation of a 3d physical guide structure, likely of woven materials, to facilitate the creation of an arm/foot of this character as shown. The technique is quite interesting, but one should note the complete lack of perspective (lense/depth) which would be more suitable for linear projection on or across a stonework or similar.



There are many more included, see the various images, I am attempting to extrapolate the TECHNIQUE so that the analytic system we are customizing for this purpose can patch holes in the digital representations... this should be a very quick process, given close to 100% of the lines are based on a spherical or (bean) shaped physical guide.

I still have no idea or insight as to where these originally came from, and would appreciate all suggestions.

I have been introduced to a highly advanced composite language, its structure is extremely mathematical and highly capable of artistic structure, however between the horribly bad medium of transport and its intrinsic high complexity, I have been able only to recreate the main characteristics from various examples. There are thousands more from this source, however I have not yet identified any specific language or cultural group that is dominant. The language families range the entire asian continent but are all pre-modern arabic influences and prior the transitions to current chinese and indian structure (pre-colonial). The latest confirmed date is in the 1700s ad for the data set, earliest explicit reference is in the 600s AD.

Please see these sets, especially the g00** images, which is following the scientific guides of a 12/6/5/4/3/2 partitioned space that were extrapolated from the sources and also have been correlated to studies of sculpture and artistic representation both with and without explicit language characters.

http://bigeye.us/scribe/






I would appreciate insight as to what groups or type of language(s) this is, there is high affinity to hugely widespread religious groups, but the structure of all of the source data is explicitly inclusive of multiple language structures that are somewhat or totally incompatible with eachother, their layout appears to be intended for symetrical translation....

Please contact me via email PELODIC@gmail.com with any and all hints/clues asap, I will be creating a digitization system to attempt to model this structure, but it would help to at least know what it might be. Also advisories on software that can do correlations and image recognition. There is a "Bean" character that is only infrequently used in arabic, that is prominent in the vertical scripts, along with some structures that are very close to old mongolian script (vertical) ... the majority of characters and script is vertical, typically structured right-left, and has multiple characteristics that include a majority of linguistic structures from across the asian and pacific regions.

Especially interesting and distinctive is this (copied from the originals)